Tuesday, February 14, 2012

Show & Tell

My piece of technology
- Hand-held Samsung Video Camera


Lesson Plan Brainstorming!

Class Collaboration
- Reality T.V Show?(what is real vs. what is made up in media?)
- Confessionals? (culture, diversity, differences, social issues)

Interviewing Partners
- Developing interview questions
- making a visual documentary of someone's life
- what scenes would you put in and take out? what is the editing process like?

Objective
 - Through recording someone to create a visual documentation of their life, by using a hand-held video camera, students will learn that the media tends to show the public what the recorder/shooter chooses to show and how that brings significance to the final piece. 



Tuesday, February 7, 2012

How Can We Use New Media Creatively?

This is a question I've been asking myself while brainstorming ways to incorporate engaging future new media lessons in the classroom. This prompted the question, what are the possibilities within new media that can be explored? to what extent can new media be explored within a classroom setting with classroom limitations

Thinking of the large spectrum of types of schools, we can either be faced with a highly equipped media lab room with a computer for every student, or a mere classroom with not a single technological device to be found. In either case, how can we help stir the minds of students about interpreting the media they see around them everyday? how can we address their learning needs in alignment with the speed of their growth and constant bombardment of the media world?

These are all questions I want to explore coming into this generation of students, in order to guide them in their ways of navigating through what they soak in every moment of the day in a healthy manner.

--------------------------------------------------------------------------------------------------------

I'm interested in how new media can transform the way people heal. Whether it be using new media to create certain environments for the disabled, elderly that are sick, or children who are terminally-ill.  I think there are endless possibilities for the doors new media can open and the opportunities to change lives. 

My friend is the Program Director for a non-profit organization called Eti-Vision.

Eti-Vision seeks to empower the blind youth to become active and integrated into society. They provide training in assistive technologies and other life skills to overcome difficulties arising from blindness, specifically those encountered when in pursuit of an education. They also introduce popular local recreational activities to encourage awareness, teamwork and independence among blind and sighted youths. Eti-vision collaborate with companies to create internships that allow blind young adults to integrate into a professional work force, and empowering the blind population to advocate for support of full inclusion and non-discriminatory behavior toward people with blindness on a local, regional, and national level. 

This is something I came across recently: 
How does a child with disabilities develop a sense of self?

The process of developing a concept of “self” is complex and lifelong, and begins as an infant. One of an infant’s first tentative attempts to interact with his world is the smile. This early developmental milestone is termed the “social smile.” The child smiles at its caregivers, and elicits a return smile. This event is important for two reasons. First, the infant has an experience of being “mirrored” by the caregiver. The caregiver reflects back to the infant what he or she just did, and the infant gains great pleasure from it; this pleasure encourages the infant to continue smiling at the sight of the “mirroring” caregiver. Second, this interaction is one of the first experiences an infant has that establishes an environment separate from his or her own body and helps develop a positive sense of self. If that return smile is forthcoming, the “social smile” develops into playful behavior, which is one of the forerunners of a healthy interaction between child and world. If the return smile is not forthcoming, the original social smile of the infant disappears, and the child “gives up,” so to say, interacting. 

The failure to distinguish oneself from the environment is common in children with disabilities, and especially with children who are blind, because the self-development process involves a significant amount of very early interaction with caregivers, interaction that is disrupted by the disability. Most adult humans find an infant’s smile alluring, captivating, and they cannot help responding to it with a smile of their own. That is true whether the smile comes from a sighted or a blind child. But a blind child cannot see the adult’s response smile! A child who is blind does not recognize the response it receives from the outside world, and it therefore reacts as though there were no response; it reacts by withdrawing its own social smile. In this way, a blind child raised by very loving caretakers can exhibit the same signs of social non-integration as a child raised without human interaction. 


How can we use new media to help re-shape peoples' lives?  
 
A

On & Off

Upon this assignment, I decided to shut off my phone during my 1 hour and 30 minute commute to and back home from school. It was such a weird feeling because I NEVER shut off my phone. ever. But in my head I was thinking, "I can do this. It's only an hour and thirty minutes. I've done it before...this is nothing." 

Immediately after 5 minutes, I totally forgot I had started this experiment and wanted to text a friend the very thought that had crossed my mind in that split second. 

In this moment I realized some things:
1. I am more accustomed to instant gratification than I had ever thought.
2. Sometimes I talk text language when thoughts roam through my head.


text thought 1

" I just remembered about our rings and I got REAL excited...
TOTALLY forgot about themmmm =D"

text thought 2

 " I just ate a snickers...only because its 9:30 am LOLLL"

--------------------------------------------------------------------------------------------------------

Not being on my phone while commuting was totally out of the norm for me. It really made me more aware of my surroundings and what was really going on. I started observing everyone on my train. Everyone was literally sucked into their own worlds, eyes fixated on their phones, not aware of what's going on right next to them. The sight of such hypnosis made me think about how our public interactions have evolved in parallel to the integration of advanced technology within our lives.


A

Media Art in the Classroom

Tamare Laporte is a mixed media artist, illustrator and online art teacher who loves being messy and is addicted to layering paint. Her work can be described as mixed media folk art.

Tam's art ranges from cute children's illustrations to a more stylized fantasy type art. Her art often incorporates healing themes, uplifting messages and inspirational poetry. She is also a prolific art journal-er and creates stuffed toys and art dolls when she has the time! Recently, digital creations have been calling her and she's loving creating paintings in Photoshop as well. She is based in Brighton in the UK with her lovely husband Andy and her magical child Dylan. She's been teaching online art workshops since 2008.

You can visit her blog here.

 
 


 

------------------------------------------------------------------------------------------------------------------
 I find it interesting how artists find ways of integrating the use of the internet within their field of work.  It makes me wonder what type of audience they capture since not all people have such a tech collaborative lifestyle.



A

Monday, February 6, 2012

Moment Factory


Moment Factory is a new media and entertainment studio specialized in the conception and production of multimedia environments combining video, lighting, architecture, sound and special effects to create remarkable experiences. 
Since its beginnings in 2001, Moment Factory achieved more than 300 events, shows and installations in Canada, Latin America, Europe and the Middle East for such clients as the Cirque du Soleil, Disney, Céline Dion, Microsoft, the National Capital Commission in Ottawa and the City of Lyon. 
Our team of 60 talented individuals occupies a dynamic, multifunctional 20 000 square-foot space in Montreal, Canada. In our industrial studios we develop, design and produce the groundbreaking—often interactive—new media installations for which we have earned our reputation as industry leader, building mockups and testing prototypes prior to executing our vision.
-----------------------------------------------------------------------------------------------------------
Moment Factory's execution of the Superbowl halftime show projections was incredible. It was HOT. They were AMAZING! I loved the use of multimedia environment combining architecture, lighting, sound, and images to create an unforgettable visual memory. It really gives you a special kind of experience.






I'm really beginning to notice the new media forms existing in our everyday world that I haven't paying much attention to before. I love love love it and would like to incorporate more of it into my work and my teaching for the students. It's definitely something I want to explore further throughout.


A

Tech & Me

Technology and I have a love-hate relationship. I'm pretty independent when it comes to most things. Maybe it comes with being the oldest sister of two brothers, the oldest English-speaker since way back in the family, along with many other influences that shaped me this way. Along with it comes the pride of not wanting to be dependent on anything or anyone. It is difficult for me to have to depend on something or someone because of my set habitual ways. I think my perspective on technology started out like that.

I remember when I got my first laptop at the start of my freshman year in college. The experience was similar to that of when I got my first smart phone. Emails, chats, messages, updates all day every day. I consider it the beginning of a new relationship that would last for a lifetime, whether I liked it or not. Even if I didn't want to accept it into my life, it had already penetrated into all systems that I was a part of. At times, there have been what I consider power struggles. Being in control was important to me, and all of it was controlling my every move; making me wait, telling me it can't do certain tasks, and telling me when it wasn't available. It was frustrating that I had to depend on certain things to live my life.
As such times have passed and over years and years of having it present in my life, I found there can be an equal give and take going on in this sort of situation. If I imagine being without technology, I definitely see the pros and without a doubt the cons. 


In my daily life, I use my phone as a connection to everything and everyone. I don't like to admit it but it's true. I know that when I don't have it with me, I feel like an orphan. I feel lost! When I don't have it with me, I get anxious. There is that 5% of me though, that feels kinda good not to be responsible almost, to be in touch? There's something about being totally disconnected that feels freeing. 


Coming back to my point, it is a love-hate relationship for sure! I know I don't need it, but when I don't have it I want it. When I have it, it's a burden knowing everything I want to know is at my fingertips. 




A

Wednesday, February 1, 2012

Tuesday, January 31, 2012

Museum of the Moving Image


 


I distinctly remember my field trip in 7th grade to the Museum of the Moving Image. I felt as if I had stepped into another dimension. I left my world behind and entered into a thrilling zone of lighted floors, color changing ceilings, and image-moving walls. It was quite enchanting and I was captivated. Although a decade has passed from that moment, it remains a vivid recollection within me. 

Museum of the Moving Image is located in Astoria, New York and is an compelling resource for the public to understand and appreciate art, history, technique, and technology of film, television, and digital media. They collect, preserve, and provide access to moving-image related artifacts, screen significant films and other moving-image works, present exhibitions of artifacts, artworks, and interactive experiences, and offer educational and interpretive programs to students, teachers, and the general public.

Many of the exhibitions are, but not limited to films and/or installations stimulating all our senses through visual imagery. Artists from all over the world are invited such as Jan Svankmajer, a surrealist Czech animator, Mircea Cantor from Romania, and Ming Wong from Berlin & Singapore who works are all currently on exhibition. 


It's quite interesting to see the works of artists from different parts of the world and the ways in which each distinctly respond to the medium of media differently. It gets me thinking about my future students and how I want to set my dialogical approach in teaching to stimulate students to respond in such multifarious ways, reflecting who they are and their experiences. 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

One of the online exclusives currently on display: 


The Living Room Candidate 

 

A

Media Artist of the Week

Awer G. Bul is a media artist and one of the Lost Boys of Sudan.
He uses his paintings, photographs, and film in his work to communicate his stories to the world. He was denied schooling and used Art as a means to speak in a universal language. His mission is to help the many children that are suffering in Sudan, Africa. Each night, thousands of young girls and boys go to sleep without without clean water, food, parents, or any foreseeable future.

The Lost Boys of Sudan are the groups of over 20,000 boys of Nuer and Dinka ethnic groups who were either displaced and orphaned during the Second Sudanese Civil War (1983-2005) who resided in Africa. About 2.5 million were killed or nowhere to be found. 

"Through my Art I have been able to deal with the traumas from atrocities of the war, separation from my family, the loss of my home and homeland, and the poor conditions of the refugee camp life. When I do art I feel like I have let out all the things that are in me. Art is a way for me to respond and to give." 
-Awer G. Bul

Photograph by Awer G. Bul



You can see his work here, including his piece titled Living in Exile.
"This video deals with transformation, not only in the mind and body but also in location and spirit. The many days I spent in Africa were the worst days of my life, and at the same time they were so meaningful. My new homeland is much different from Sudan and I feel as though my soul has been set free. When I walk around downtown Richmond, I am in awe of the possibilities and also I am reminded of Africa."

 
Awer shares his testimony.

-----------------------------------------------------------------------------------------------

We're always talking about "Art being a universal language" and teach students about this concept. Awer Bul's life is a living example of the power this statement has. I believe it's important to step out of our "boxes' and really take a look at what's going on around us. As an educator, I know one of my priorities will be to be consciously aware of activity outside of ourselves. I believe I am guilty of being encompassed by my own life, saturating every moment with a task to move forward. As I begin to develop my teaching philosophy, these are the thoughts I ponder on articulating. 

A

Monday, January 30, 2012

New Media New Forms

I am personally very interested in our New Media New Forms course. The idea that technology is rapidly advancing and being integrated within our every day interactions is something I have just been beginning to grasp as we think about how to address it in the classroom. 

What does "New Media New Forms" mean? What might this term encompass? I'm interested in the different avenues it opens up to the realms of making art and what roles it can play in the field of art education.

This is what wiki tells us it is:

New Media Art is a genre that encompasses artworks created with new media technologies, including digital art, computer graphics, computer animation, virtual art, Internet art, interactive art, computer robotics, and art as biotechnology. The term differentiates itself by its resulting cultural objects and social events, which can be seen in opposition to those deriving from old visual arts (i.e. traditional painting, sculpture, etc.). This concern with medium is a key feature of much contemporary art and indeed many art schools and major Universities now offer majors in "New Genres" or "New Media"[1] and a growing number of graduate programs have emerged internationally.[2] New Media Art often involves interaction between artist and observer or between observers and the artwork, which responds to them. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice.[3] Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media, per se.

New Media concerns are often derived from the telecommunications, mass media and digital modes of delivery the artworks involve, with practices ranging from conceptual to virtual art, performance to installation.


By. DD. Guttenplan

“We need to give young people more freedom — and we should continue to play as we get older,” Mr. Kurzweil said. 


A

Generation Citizen



Mission: Despite the promises of a government in which all citizens can play a role in determining the country’s future, a large part of our nation, especially minority and lower-income citizens, does not actively participate in our democracy. Generation Citizen exists to change this dynamic.

Generation Citizen empowers underrepresented youth to be active participants in the democratic process.

Generation Citizen leads students to make change in their communities by partnering trained college volunteers (Mentors) with secondary teachers to implement an “action civics” curriculum. Our innovative, action-based program will revolutionize civics education in this country. Generation Citizen is building a new generation of youth activists and leaders, a generation inspired and equipped to make change.


*I came across this organization on the TC website and thought it was awesome. It's inspiring to know people are passionate about working with the underrepresented youth and to support them in becoming an active members of society. I love this stuff.


A

Sunday, January 29, 2012

Life Before Teacher's College

My parents came to the states as Korean-immigrants in 1983. Soon after, when my brother and I were born, we became the first American-born members within our family generation. Born and raised in Queens, New York, I moved out to Pittsburgh, Pennsylvania for my undergraduate studies at Carnegie Mellon University, where I resided for four years. I began at the School of Fine Arts for the first year and soon after went into the School of Design to study Industrial Design.

Quite often I reflect back at my time studying there. Through my experiences in both schools I was able to gain a deeper understanding of the differences and similarities of the fields within "Art" and "Design". I made connections between the two and recognized the many conceptual ways the two overlap and have distinct characteristics.

Upon graduation, I came home and still held on to my repressed desire to pursue the field of fashion. As you can see through the various paths I've traveled on, I had many interests and wasn't quite set on something exact.

It was a difficult time for me as a young adult (which I still very much am); I wanted so much to know exactly what I wanted to do, what I wanted to be doing and who I wanted to become. But I was constantly in a cloud of confusion. Having grown up in such a rigorous culture of work and success, the pressures of living up to the set standards and wanting to rise above was a constant. I eventually worked in a fashion company for two years. The glamor and magic quickly disintegrated and concluded it wasn't the right industry for me.

I'd worked in several other industries shortly after and continued with my time of exploration of the world post-college. After much processing of the world around me, I now find myself here at Columbia University Teacher's College. How did I end up here? I'll save that for another entry :)


A